The Art of Hes

"Нет войне"

hesart⚡️ — Sun, 09 Feb 2025 17:53:26 GMT

"Нет войне"
Flattened grass, Lightroom, DJI Mavic Pro 2. [12’ x 60’]

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Artist Statement
Нет войне: No to War

"Нет войне" is an environmental art project created by continuously walking back and forth for several hours until the grass lay flat. Each letter measures roughly 12’ x 6’. The letters have been slightly exaggerated in Adobe Lightroom for digital clarity. The phrase "Нет войне" translates to "No to War."

The piece aims to give a voice to the citizens around the world standing up against tyranny and destruction. Nature always overruns land art with time. It overruns the rubbles of a war-torn country. It will overrun civilization long after we are gone. This earthwork may only be visible for a couple of weeks; the signs may only be held up for a couple of seconds; the remnants of a devastating war may only be visible for a couple of decades. But one thing remains true: human lives will never be restored. Facts should never be forgotten. Invasions should never be tolerated. Freedom will prevail.

The artwork reflects on the impermanence of human constructs, whether they are artistic expressions or the scars left by warfare. It serves as a testament to the strength and determination of those who oppose oppression and violence.

Through this work, I aim to not only capture a moment of protest but also invite viewers to reflect on the broader implications of war and peace. The piece is a call to action, urging us to remember the human cost of war and to strive for a world where freedom and peace prevail.

Follow-up images regarding the status of the land will be provided over time. Hopefully, the war will be over before the piece fades away.

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Month 1 Update
The war expands. The piece stands.

Month 4 Update
The war continues. The piece fades.

Month 12 Update
The war rages on. The piece is gone.

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"Chongming" (Earth Lens)

hesart⚡️ — Sat, 08 Feb 2025 17:00:09 GMT

"Chongming" (Earth Lens)

Tree branches. 4'8" circle. [Chongming Island, China. 2021]
Part of the "Earth Lens" series (005)

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Introduction
Tucked into a quiet forest park on Chongming Island, Chongming frames a view of a canal and a small alluvial landform that mirrors the island itself. This lens reflects the constant interplay of land and water, inviting viewers to contemplate the delicate balance of nature and the forces that shape it.

Site & Placement
The lens is hidden along a forest path, directing attention to the canal’s subtle currents and the land it divides. The bench, situated 12 feet from the lens, encourages visitors to pause and immerse themselves in the tranquil rhythm of the scene.

Impermanence & Integration
As an alluvial island shaped by shifting waters, Chongming is a fitting location for this ephemeral lens. Constructed from branches, the lens will eventually return to the land, echoing the natural processes that formed the island and continue to shape it.

Reflection
Chongming offers a meditative space to reflect on the impermanence of land and the forces that transform it. The work’s fleeting existence underscores the beauty of change, inviting viewers to appreciate the subtle, ongoing dance of nature.

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#land_art #landart #art #environmentalart #earthlens #nature #hes #hesart #series #2021 #earthwork #branches #tree #artstr #asia #chongming #artwork #artstr #landartist #artist #nature #china #pond

"Grandfather" (Earth Lens)

hesart⚡️ — Fri, 07 Feb 2025 18:17:32 GMT

"Grandfather" (Earth Lens)

Tree branches, driftwood coconut. 5'7" teardrop. [2020]
Part of the "Earth Lens" series (005)

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Introduction
Situated on Myanmar’s Grandfather Beach, this lens captures the dramatic shape of a steep, rocky hill that mirrors the arduous road leading to this remote location. Grandfather invites viewers to reflect on the connection between journey and destination, highlighting the tension and beauty of paths less traveled.

Site & Placement
The lens is positioned at the west end of the beach, focusing on the sharp hill rising above the shoreline. Its teardrop shape accentuates the rocky prominence, emphasizing its similarity to the road that winds toward the beach. A bench, placed 12 feet away, provides a place for viewers to absorb the rugged beauty of the scene.

Impermanence & Integration
Crafted from driftwood, branches, and stone, Grandfather is a fleeting presence in this timeless landscape. Its brief existence reflects the challenges and ephemerality of the journey it highlights, blending into the environment as it gradually succumbs to the elements.

Reflection
Grandfather invites viewers to consider the parallels between the physical journey to reach the beach and life’s broader paths. It stands as a reminder that even the most challenging routes can lead to moments of profound beauty.

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#land_art #landart #art #environmentalart #earthlens #nature #hes #hesart #series #2020 #earthwork #branches #tree #artstr #asia #dawei #artwork #artstr #landartist #artist #nature #myanmar #beach

"Platte" (Earth Lens)

hesart⚡️ — Fri, 07 Feb 2025 17:35:51 GMT

"Platte" (Earth Lens)

Tree branches. 4' x 4 [2016]
Part of the "Earth Lens" series (004)

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Introduction
Platte captures a tranquil bend of the South Platte River, where the steady flow of water meets the rugged backdrop of Waterton Canyon. This lens offers a moment of respite, encouraging visitors to step away from the river’s busy recreational activities and focus on the quiet beauty of this secluded scene.

Site & Placement
Positioned on the west bank of the South Platte River, the lens directs attention to the water’s gentle curves and the canyon rising in the background. A bench placed 12 feet away provides the perfect spot for reflection, emphasizing the interplay of movement and stillness in the landscape.

Impermanence & Integration
The lens, constructed from branches and stone, mirrors the ever-changing nature of the river itself. As it stands, it frames a single moment within the flow of time, but its materials will soon be reclaimed by the earth, echoing the river’s constant reshaping of the land.

Reflection
Platte invites viewers to contemplate the river’s journey—its constancy in motion and its quiet persistence. The work becomes a metaphor for life’s flow, urging us to find beauty in the transient and the enduring alike.

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#land_art #landart #art #environmentalart #earthlens #nature #hes #hesart #series #2016 #earthwork #branches #tree #artstr #platte #river #artwork #artstr #landartist #artist #nature #golfstr #mountains

"Sanctuary" (Earth Lens)

hesart⚡️ — Tue, 04 Feb 2025 00:39:21 GMT

"Sanctuary" (Earth Lens)

Tree branches. 4' x 4 [2016]
Part of the "Earth Lens" series (003)

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Introduction
Sanctuary offers a layered view of resilience, juxtaposing the green expanses of the Sanctuary Golf Course with the majesty of Pikes Peak and the scars of past destruction. Framed by the lens, this work explores the tension between human intervention and nature’s cycles of renewal.

Site & Placement
Perched at Daniels Park in Castle Pines, the lens focuses on the rolling terrain of the golf course, leading the eye to the distant peak. The surrounding brush, which once burned in a major fire, adds depth to the narrative of renewal. A bench, positioned for an unobstructed view, invites visitors to sit and reflect on the land’s capacity to heal and endure.

Impermanence & Integration
As an ephemeral installation, Sanctuary embodies nature’s cycles of destruction and rebirth. The materials—branches and rock—will eventually decay and return to the earth, a process that mirrors the recovery of the landscape itself after fire. This impermanence underscores the delicate balance between human influence and natural forces.

Reflection
Sanctuary serves as a reminder of both the fragility and resilience of the world around us. It invites viewers to pause and consider the interplay of destruction and growth, human and natural, as they gaze upon a scene shaped by both time and transformation.

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#land_art #landart #art #environmentalart #earthlens #nature #hes #hesart #series #2016 #earthwork #branches #tree #artstr #castlepines #golf #artwork #artstr #landartist #artist #nature #golfcourse #golfstr #mountains #homepage

"Folsom" (Earth Lens)

hesart⚡️ — Tue, 04 Feb 2025 00:35:28 GMT

"Folsom" (Earth Lens)

Tree branches, Rock. 4' x 4 [2016]
Part of the "Earth Lens" series (002)

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Introduction
From atop Flagstaff Mountain, Folsom frames Boulder’s iconic Folsom Field, a symbol of youth, learning, and community. This lens offers a moment of reflection on the brevity of the college experience and the transient nature of life, inviting viewers to connect with the campus and its fleeting but impactful moments.

Site & Placement
The lens is strategically placed to frame the stadium, blending the vibrant life of the campus with Boulder’s vast and enduring natural landscape. The bench, situated 6 feet from the lens, offers a space to sit and contemplate the juxtaposition of permanence and change, of structure and wilderness.

Impermanence & Integration
Constructed from branches and rock, Folsom is designed to fade into the mountain landscape after only a short time. Its impermanence echoes the fleeting nature of the college years, reminding viewers that growth and transformation are rooted in moments that pass all too quickly.

Reflection
Through its brief presence, Folsom captures the delicate interplay between human experiences and the enduring landscapes that frame them. It invites viewers to celebrate the vibrant present while acknowledging the inevitability of change.

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#land_art #landart #art #environmentalart #earthlens #nature #hes #hesart #series #2016 #earthwork #branches #tree #artstr #boulder #folsom #artwork #artstr #landartist #artist #nature #CU #college

"Looking Glass" (Earth Lens)

hesart⚡️ — Tue, 04 Feb 2025 00:22:47 GMT

"Looking Glass" (Earth Lens)

Tree branches, Rock. 4' x 4 [2016]
Part of the "Earth Lens" series (001)

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Introduction
Nestled deep in the forest near Boulder, "Looking Glass" invites viewers to rediscover the quiet beauty of overlooked natural details. By framing the play of light, texture, and shadow through a 4-foot circular lens, the piece shifts focus to the microcosms of the forest, drawing attention to a small and overlooked waterfall.

Site & Placement
The lens is perched amid a cluster of trees, emphasizing a quiet patch of the forest that often goes unnoticed. Positioned 22 feet from the lens, a carefully placed bench offers a perfect vantage point, guiding visitors to linger, observe, and absorb the layered simplicity of the scene.

Impermanence & Integration
True to the ethos of the Earth Lens series, Looking Glass exists only briefly. Its natural materials—branches, wood, and rock—blend seamlessly into the forest and will eventually be reclaimed by it. The fleeting presence of the lens reflects the transient beauty of life, encouraging viewers to appreciate the details that often escape notice in the rush of time.

Reflection
In its short life, Looking Glass offers a moment of stillness and clarity, a chance to peer into the intimate world of the forest. The work becomes a lens not just for the environment but also for introspection, reminding viewers of the quiet wonders that surround them every day.

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#land_art #landart #art #environmentalart #earthlens #nature #hes #hesart #series #2016 #earthwork #branches #tree #artstr #boulder #creek #artwork #artstr #landartist #artist #nature

"Invasive" (Site)

hesart⚡️ — Mon, 03 Feb 2025 03:20:15 GMT

"Invasive" (Site)

Dirt. 4'x4' [2016]

1/2 of the "Invasive" Site/Non-Site earthwork.

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Non-site: University of Colorado Visual Arts Complex

Invasive is a non-site earthwork that seeks to create an experiential and emotional feeling reminiscent of the original site. Teller Lake #5 conveys an intense and strange feeling that something is invading you. The tall brush leading up to the lake leaves one feeling small and insignificant as the brush protrudes into the walkways. At the site, a misplaced concrete slab that gives an abstract representation of the lake from ground level. A circle beneath the concrete slab represents the circle drawn on the site where the slab was found.

Site: Teller Lake Number 5

Uneasy yet harmonious, eerie yet relaxing. Tall trees invade the site and take over. Broken glass protrudes into walkways. Large slabs of concrete displaced on the beach. One particular slab is oriented in perfect alignment with the lake. It shouldn't be there but creates an abstract representation in a natural manner. A circle is drawn on the beach where the slab was gathered. Man put these slabs on the beach. 2013, man dumps handful of goldfish into Teller Lake #5. 2015, thousands of goldfish disrupt the ecological balance. The ecosystem is broken and infested. Man begins to plan solutions for this problem. Hungry pelicans eat thousands of goldfish creating a natural solution.

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#land_art #landart #art #environmentalart #site #nature #hes #hesart #sitenonsite #2016 #earthwork #branches #tree #concrete #rock #grass #dirt #artstr #boulder #exhibit #artwork #artstr #landartist #artist #nature #lake #goldfish #tellerlake

"Invasive" (Non-Site)

hesart⚡️ — Mon, 03 Feb 2025 03:02:49 GMT

"Invasive" (Non-Site)

Tree branches, concrete slab, leaves, grass, dirt, audio. 6'x12'x10'. [2016]

1/2 of the "Invasive" Site/Non-Site earthwork.

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Non-site: University of Colorado Visual Arts Complex

Invasive is a non-site earthwork that seeks to create an experiential and emotional feeling reminiscent of the original site. Teller Lake #5 conveys an intense and strange feeling that something is invading you. The tall brush leading up to the lake leaves one feeling small and insignificant as the brush protrudes into the walkways. At the site, a misplaced concrete slab that gives an abstract representation of the lake from ground level. A circle beneath the concrete slab represents the circle drawn on the site where the slab was found.

Site: Teller Lake Number 5

Uneasy yet harmonious, eerie yet relaxing. Tall trees invade the site and take over. Broken glass protrudes into walkways. Large slabs of concrete displaced on the beach. One particular slab is oriented in perfect alignment with the lake. It shouldn't be there but creates an abstract representation in a natural manner. A circle is drawn on the beach where the slab was gathered. Man put these slabs on the beach. 2013, man dumps handful of goldfish into Teller Lake #5. 2015, thousands of goldfish disrupt the ecological balance. The ecosystem is broken and infested. Man begins to plan solutions for this problem. Hungry pelicans eat thousands of goldfish creating a natural solution.

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#land_art #landart #art #environmentalart #nonsite #nature #hes #hesart #sitenonsite #2016 #earthwork #branches #tree #concrete #rock #grass #dirt #artstr #boulder #exhibit #artwork #artstr #landartist #artist #nature #lake #goldfish #tellerlake

"East Boulder Creek" (T.A.O.…

hesart⚡️ — Mon, 03 Feb 2025 01:37:01 GMT

"East Boulder Creek" (T.A.O.N.E)

Tree branches, walnut tree, tree stub. 5' x 3' [2016]
Part of "The Amalgamation of Natural Entities" Series (001)

Status: Destroyed
Winner: Nature (2 weeks)

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Located along the shores of East Boulder Creek, this inaugural piece in the series presents a thought-provoking form: a triangular-shaped void that invites viewers to ponder whether nature can produce a structure of this design. The goal was to combine a mature tree with a cluster of nearby stumps, creating a striking visual contrast. Built in late spring 2016 using locally sourced materials, this earthwork was constructed to explore the relationship between nature and human creation. Unfortunately, the piece was short-lived, succumbing to the harsh effects of a nearby snowstorm just weeks after its completion. This initial prototype serves as a testament to the unforgiving power of nature, underscoring the need for future works in the series to be more resilient and durable.

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#land_art #landart #art #environmentalart #taone #nature #hes #hesart #series #2016 #earthwork #branches #tree #artstr #boulder #creek #artwork #artstr #landartist #artist #nature